ES, Jacob van
Flemish painter (b. ca. 1596, Antwerpen, d. 1666, Antwerpen) Flemish painter. Together with Osias Beert and Clara Peeters, he was one of the leading representatives of the archaizing trend in Flemish still-lifes. His birthplace is known from the text on an engraving by Wenceslaus Hollar after a painting by Jan Meyssens (1612-70). Van Es became a master in Antwerp in 1617 but did not join the Guild of St Luke until 1645. Jacob Gillis and Jan van Thiene were his pupils in 1621 and 1623 respectively. He enjoyed a certain esteem among fellow artists, for Jacob Jordaens, Cornelis Schut the elder and Deodaat del Monte were godfathers to his children. Numerous mentions of works by van Es in inventories of 17th-century Antwerp collectors further testify to his success
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ES, Jacob van Grape with Walnut d oil painting


Grape with Walnut d
Oil on copper, 22,3 x 27,5 cm National Gallery, Prague
Painting ID::  6574 		ES, Jacob van
Grape with Walnut d
Oil on copper, 22,3 x 27,5 cm National Gallery, Prague
   
   
     
ES, Jacob van Still-Life with Fruit dg oil painting


Still-Life with Fruit dg
Oil on oak panel, 224,2 x 34,8 cm Groeninge Museum, Bruges
Painting ID::  6575 		ES, Jacob van
Still-Life with Fruit dg
Oil on oak panel, 224,2 x 34,8 cm Groeninge Museum, Bruges
   
   
     
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     ES, Jacob van
     Flemish painter (b. ca. 1596, Antwerpen, d. 1666, Antwerpen) Flemish painter. Together with Osias Beert and Clara Peeters, he was one of the leading representatives of the archaizing trend in Flemish still-lifes. His birthplace is known from the text on an engraving by Wenceslaus Hollar after a painting by Jan Meyssens (1612-70). Van Es became a master in Antwerp in 1617 but did not join the Guild of St Luke until 1645. Jacob Gillis and Jan van Thiene were his pupils in 1621 and 1623 respectively. He enjoyed a certain esteem among fellow artists, for Jacob Jordaens, Cornelis Schut the elder and Deodaat del Monte were godfathers to his children. Numerous mentions of works by van Es in inventories of 17th-century Antwerp collectors further testify to his success

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